CLOSE YOUR EYES achieves global growth with sold-out North American tour
The group CLOSE YOUR EYES completed their first North American tour, "BEYOND YOUR EYES," which included sold-out performances in Los Angeles and Chicago.
Following their recent North American tour "BEYOND YOUR EYES," CLOSE YOUR EYES solidified their global position after recording sold-out performances in Los Angeles and Chicago. The group's success follows the release of their fourth mini-album "256th Note" in September, which saw the track "Open Your Eyes" reach number 1 on the Shazam viral chart in Korea.
The group CLOSE YOUR EYES completed their first North American tour, "BEYOND YOUR EYES," starting in Atlanta on September 21 and traveling through Phoenix, Los Angeles, Dallas, Orlando, Chicago, and New York, before concluding in Toronto on September 4. This tour is considered significant as it expanded their stage to all of North America following their previous Canadian tour.
In particular, the performances in Los Angeles and Chicago recorded sold-out status, confirming high popularity among local fans. Throughout the tour, the group captivated local audiences with solid live skills and energetic performances.
CLOSE YOUR EYES expanded their connection with fans by collaborating with famous local influencers, which appears to have contributed to the tour's success. The agency stated, "Through this tour, they have solidified their position in the global market."
They reported that "Open Your Eyes," a track from their fourth mini-album "256th Note" released in September, reached number 1 on the Shazam viral chart in the Korea region, number 2 on the Top 50 chart, and number 2 on the Top 200 chart. Furthermore, they held a fan concert titled "Born an Idol, but I Want to Date CLOSER" at the COEX Artium in Seoul from October 20 to 22, achieving sold-out status for all three shows.
Having maintained steep growth through various stages including albums, music programs, and award ceremonies, the future global activities of CLOSE YOUR EYES are highly anticipated.
Covers K-pop for KSW Journal, and also writes about Culture and K-Variety.
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