Stray Kids' First Solo Concert at Japan's National Stadium a Massive Success... 140,000 Spectators Enraptured
Stray Kids successfully held a solo concert at the Japan National Stadium in Tokyo, becoming the first overseas male artist to perform on that stage.
[Korea Social Welfare Journal] Reporter Lee Jeong-mok = Stray Kids successfully held a solo concert at the Japan National Stadium in Tokyo, becoming the first overseas male artist to perform on that stage. Through the two-day performance at the end of last month, they gathered approximately 140,000 spectators.
This performance served as the starting point announcing Stray Kids' overseas tour and was a stage that set new records in Japan. They plan to continue their dome performances not only in Tokyo but also in Nagoya and Osaka.
The performance opened grandly with 'Hall of Fame'. Following this, the team's representative songs such as 'Hellevator', 'Side Effects', and 'Double Knot' drove the audience into a frenzy, and the atmosphere was further heightened with hits like 'MANIAC', 'God's Menu', 'Thunderous', 'S-Class', and 'Thislands'.
Furthermore, songs released in Japan were also showcased during this performance. The stages for 'Just a Little' and 'Fate' included in their 3rd Japanese mini-album were performed for the first time, drawing a great response from the audience.
After finishing the performance, the members expressed their feelings, stating that this performance was an "unforgettable day." They also conveyed their gratitude to the fans and showed confidence in their upcoming album 'ATE'. They raised expectations by saying, "We will present our best work."
Encouraged by the success of this tour, Stray Kids plans to further expand their performances in Japan. Additional performances at Tokyo Dome have been decided, and they are preparing to meet fans in early November.
The success of this performance served as an opportunity to once again prove Stray Kids' global influence and high popularity in Japan. It is a moment where their next steps are even more highly anticipated.
Covers K-pop for KSW Journal, and also writes about K-drama and K-Variety.
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